Hajimete no Futarikkiri Ryokou

Chitose-chan is a penguin who lives in Kyoto. Getting in touch with people and getting fed delicious food as she curiously walks around Kyoto streets is her favourite thing to do. The story features popular places in Kyoto like Kiyomizu Temple, Ginkaku Temple, and Gion from the Penguin's point of view. This is a short story about a penguin that is nostalgic and warm, curing and relieving the heart. (Source: MAL News)

Shinichi Chiaki is a first class musician whose dream is to play among the elites in Europe. Coming from a distinguished family, he is an infamous perfectionist—not only is he highly critical of himself, but of others as well. The only thing stopping Shinichi from leaving for Europe is his fear of flying. As a result, he's grounded in Japan. During his fourth year at Japan's top music university, Shinichi happens to meet Megumi Noda or, as she refers to herself, Nodame. On the surface, she seems to be an unkempt girl with no direction in life. However, when Shinichi hears Nodame play the piano for the first time, he is in awe of the kind of music she creates. Nevertheless, Shinichi is dismayed to discover that Nodame is his neighbor, and worse, she ends up falling head over heels in love with him. [Written by MAL Rewrite]

Shinichi Chiaki conquers his fear of flying, and Megumi "Nodame" Noda's exceptional performance at a piano competition earns her an invitation to study at the prestigious Conservatoire de Paris. The pair go to Paris together to take the next step in their careers: Chiaki as a new rising conductor under the wing of the great maestro Franz von Stresemann, and Nodame as a pupil of the esteemed piano professor Charles Auclair. But, of course, the music world is much bigger than the two of them could have ever imagined. Chiaki and Nodame, alongside old friends and new rivals, must fight and persevere to reach the dazzling musical heights that await them while never losing sight of what matters most. [Written by MAL Rewrite]

Even after having risen to the utmost rank of shun'ichi, Yotarou struggles to find his own identity in the world of rakugo. Caught between his master's teachings and the late Sukeroku's unique style, his performance lacks an important ingredient—ego. And while his popularity packs the theaters, he is but one of the few; rakugo is under threat of being eclipsed. Meanwhile Yakumo, regarded by many as the last bastion of preserving the popularity of rakugo, struggles to cope with his elderly state. Even though his performances are still stellar, he fears that he is nearing his limits. His doubts grow stronger as an old friend creeps ever closer. Konatsu, for her part, attempts to raise her son as a single mother, which Yotarou is heavily opposed to. Instead, he seeks to persuade her to marry him and in turn raise her son as his own. In Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, the curtains fall on Yotarou and Yakumo's story, tasked with restoring the near-obsolete art form as well as overcoming their internal conflicts. [Written by MAL Rewrite]